books,” says Francesco Streda of the
Imàgo in Rome – “but initially I did it
more for the glory than anything else.
You are paid according to the amount
of copies sold and it is well-known
that in Italy traditional publishing is
in crisis.” In addition there are the
blogs. Many have them but few have
managed to turn them into a business.
Among these is Sonia Peronaci,
inventor of “Giallo Zafferano”, which
a decade ago was the first site to
specialize in recipes. Following
the sale of the site to Banzai, her
transformation into a star (with
broadcasts on TV) and eventually
the painful divorce from the site that
made her well-known, turning herself
into a gold mine. But many other
chef blogs float along with neither
infamy nor praise. Finally there are the
partnerships. Companies that pay, or
at least provide, the product for free in
exchange for the visibility offered by
the chef who maybe also has a local
reputation. Recently, the transmission
of RaiTre “Report” told how some
well-known chefs are pushed to prefer
a famous Italian grating cheese at the
expense of a better known one
and to dedicate dishes or whole menus
in exchange for payment. In Italian
cuisine this is survival.
______________________________
BOX
AND INVOICED BY SMALL
BUSINESS
Every important chef is a real money
machine, who leads a multi-million
annual turnover company. La Ca.Pri
of Antonino Cannavacciuolo, in
2015 invoiced € 5,229,123, the fruit
not so much of the revenues of the
restaurant Villa Crespi in Orta San
Giulio, as for the role of Chef of
MasterChef, of conducting “Cucine
da Incubo (Nightmare Kitchens)”
produced by Endemol Italia along
with dozens of events, consultancies
and appearances. La Alajmo Spa
owned by the brothers who run the
three-starred restaurant Le Calandre
di Rubano invoices over 11 million
Euros, the Franciscana srl of Massimo
Bottura 4.4 million, the R.R. srl of
Niko Romito 2.7 million and the Da
Vittorio srl of the Cerea brothers
of the homonymous Brusaporto
restaurant, in Bergamo, over 11
million.
______________________________
BOX
STAR ADVERTISING...
The relationship between cooks
and advertising has always been
controversial. Many famous chefs
have lent their face to advertising:
Sonia Peronaci for a famous brand
of industrial cheeses, Carlo Cracco
for potato crisps and for a furniture
store, Cannavacciuolo for a Dop
cheese, Davide Oldani for even a
telecommunications company. We
are resentful because these products
are sometimes very far from the
sentiments of the chefs who put a
face to them. But there is also envy
behind it. “I find nothing unbecoming
in the fact that a chef makes a spot –
says Francesco Apreda – and I would
also do it if they asked me. If Cracco
advertises potato crisps, in reality
he brings fine dining to the general
public, bridging a gap.”
______________________________
AT PAGE 20
A restaurant in step
with the times
The future? Promote correct
lifestyles, as part of new food trends
By Elena Consonni
By absorbing 35% of household
food spending in our country,
catering represents a mirror of the
most current food trends. This was
confirmed by a research on the
evolution of Italian food styles in
the last 20 years, presented by Fipe
during the event TUTTOFOOD
2017. Since 1995, trends have
emerged, such as the decline in the
proportion of people consuming
carbohydrates daily (from 91.5% in
1995 to 80.9% in 2015) and proteins,
and the increase of those who prefer
vegetables (from 41.8% in 1995 to
45.5% in 2015) and those who pay
attention to the consumption of salt.
However, the share of the population
that consumes fruit at least once a
day (from 82.2% in 1995 to 75.4%
in 2015) is also down, as are those
who use olive oil and vegetable fats
for cooking and especially for raw
dressings.
These behaviours are partly
reflected in the extra-domestic food
expenditure: Fipe detects the strong
decline of meat (despite the opening
of numerous specialized restaurants),
the use of salt and butter. The
consumption of vegetables grows
significantly, while too little attention
to fruit is confirmed. However, the
consumption of first courses remains,
in particular pasta, and desserts,
linked to the pleasure of conviviality.
The increase in food intolerances,
allergies and metabolic diseases means
that catering is increasingly geared
to give consumers answers to these
problems. Over two thirds of the
restaurants interviewed declare to have