JUN. JUL. 2017
VI
MAGAZINE
cook owes his survival not so much
to the bills paid by his customers
but to parallel activities: conducting
television, external consultancy,
conventions, events, blogs,
advertisements, books. Of course, the
famous chefs have more “market”, but
also the middle-level restaurateurs
have some chance of exploiting their
skills to the maximum.
MATTER OF COST
A restaurant has very high costs:
having enough trained staff to satisfy
an increasingly demanding clientele,
taxes which eat a good part of the
revenues, the food-cost on which you
can save up to a certain point, the
cellar which is an often neglected
but burdensome item, the furniture,
the laundry, sometimes the rent of
the premises; they all add to absorb
almost all the profits. So more and
more often a name becomes a sort
of showroom that serves to gain the
attention of the guides, to give fame
to the chef who can exploit it in side
activities. Simple and effective. We
take the case of Heinz Beck, the
three-starred chef of the Pergola del
Rome Cavalieri in Rome. At present
his activities, besides the one that
gives him the most prestige, are: chef
of a restaurant in Tokyo (Heinz Beck
& Senses), of two clubs in Dubai (the
casual Taste of Italy restaurant, which
is also shop; and the Social), of one
in the Algarve, in Portugal (Taste).
Then he has a hand in the Cafè Les
Paillotes in Pescara and in the Castello
di Fighine in southern Tuscany, he’s
about to open a restaurant at the
airport of Fiumicino, Moments, for
which he demanded a kitchen as
large as that of the Pergola, he has
a partnership with Mercedes Benz,
a collaboration with the DeCecco
for the production of sauces, and
another with the Lazio wines of
Omina Romana. And then there are
the parties, the appearances, the
books (Beck has written eight). A
hyperactivity that of course
is a little suspicious. “Heinz does a little
too many things – confesses a star-
studded colleague who wants to remain
anonymous – and when you put the
name on too many restaurants you can’t
keep track of them too well. In fact,
sometimes an activity does not go well.”
BETWEEN CONSULTANCY
AND EVENTS
So let’s have a look at these extra
activities. First of all, there are the
consultations. There are those from
real stars, when a famous chef who
already has his own restaurant takes
charge of another name, where he can
not be physically present, if only for
short periods. He will then limit itself
to setting the menu, usually working
on a simplified proposal compared to
that of the first restaurant, and prepare
the team, at the head of which puts
he puts his own leader. Every now
and then he makes an appearance,
every so often a visit to tighten up, if
necessary, and that’s it. A game which
is convenient to both parties. To the
chef, who cashes a cheque for a few
tens of thousands of Euros a year and
for the restaurant, which basks in
having a prestigious name. Then there
are the actual consultants, lesser-
known chefs who have specialized
in providing advice and support to
others. Francesco de Francesco on
his website
frachef.itproposes for a
premises start-up (300 Euros net per
day), for marketing activity (300 Euros
per day), for monitoring in the kitchen
(observation of the restaurant’s activity
for one day to identify the criticalities,
always at 300 Euros net). Then
personalized cooking classes even for
amateurs and also on Skype at 20 or
30 Euros an hour. De Francesco is so
accustomed to cash-in on every slot
of his day that when we asked him to
answer some questions, he asked to be
paid. Maybe the next time. Then there
are the events. Chefs are often called
to cook for gastronomic festivals,
sponsored evenings, presentations
of cars or latest-generation phones,
cultural events with payments that
vary depending on the undertaking,
distance, the number of guests, the
prestige of the chef. The celebrated
chef Carlo Cracco, who last New Year
cooked (in truth only one dish) for the
VIP dinner organized by a company
of events at the Porta Nuova Tower
dell’Arsenale of Venice. A 1500 Euro
indoor dinner (with bonuses such
as speedboat transport and private
firework show) for which the TV
chef engrossed 10,000 Euros without
showing his face.
TEACH INGENUITY, BETWEEN
SCHOOLS AND BLOGS
Cooking schools are another
important alternative source of
income. The chefs sometimes manage
the facilities in person, as does the
Banquet chef from Coquis in Rome
Angelo Troiani. But more often than
not, they are teachers, receiving
anywhere between 250 to 600 Euros
for each lesson, often of several hours.
In addition to the large educational
institutions (Alma a Colorno,
University of Taste in Vicenza,
University of Gastronomic Sciences
in Pollenzo, Cordon Bleu in Florence)
there are well organized schools in all
the big cities that offer also amateur
courses and lessons on individual
themes (the Schiscètta, the picnic) that
offer opportunities for all chefs (better
if specialized) who want to convey
their experience. There are also those
who turn lessons into real happenings.
This occurred to Cannavacciuolo who,
on April 19th 2016, held a lesson for
thousands of aspiring chefs at the
Stadio Olimpico in Rome. Then there
are books. Of course to be attractive
to a publishing house you have to
have a name or have some ingenious
ideas. All the great chefs write them
(of Cannavacciuolo, Arrigo Cipriani
recently said: “he writes more books
than Proust”) but a chef who just
sits around waiting to make money
is mistaken. “I have written several